Want to add more interest to your wildlife, nature, or children’s shots? Shooting at eye level will do it. The alternative is to shoot down on to your subject. While that downward view is the one we see most often with our eye, shooting at your subjects eye level is almost always the more interesting shot. This technique works particularly well with wildlife, children, and flowers. It can take time and effort to get down to your subjects level but it will be worth it for the unique angles and improved shots.
Here are 3 examples.
In this image of a duck paddling across a lake it was tricky to get down to the duck’s eye level. To make this shot I lay face down on the ground to get a “duck’s eye” view. People walking past would have thought I looked a little strange (!) but I achieved a series of interesting wildlife images – all taken from a duck’s eye point of view. It was a calm day and the reflection was a bonus.
In example two, a child on his father’s shoulder, it was much easier to shoot at eye level. For this shot, the father was holding the son on his shoulder trying to calm him down. Rather than being ‘down time’ in our family portrait session, it was a great opportunity to shoot an eye level portrait of the child. And briefly he stared directly at me. Nice one.
Example 3 are tulips. Rather than shooting down from above flowers, try getting down very low and using the sky as your background. It eliminates a muddy, dirty background and replaces it with a blue plain background which highlights the color of the flowers. It isn’t strictly ‘shooting at eye level’ but it is a very different angle than shooting down from above. It can be challenging to shoot flowers differently – but getting down very low is a great place to start.
Shooting at eye level often produces outstanding images. Keep this in mind next time you are shooting wildlife, children or flowers.